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  1. ALYOSHA KARAMAZOV'S SPEECH AT THE STONE AND FYODOR DOSTOYEVSKY’S CONCEPT OF THE WHOLE PICTURE
  2. CONFESSION AND REPENTANCE IN F. M. DOSTOYEVSKY'S NOVEL THE BROTHERS KARAMAZOV
  3. Fyodor Dostoevsky vs. Nikolai Kostomarov: genesis of Smerdyakov's сharacter in The Brothers Karamazov
  4. THE EVANGELICAL AS THE NATIVE IN THE “BROTHERS KARAMAZOV” AND IN “A WRITER’S DIARY” (1876?1877) BY FYODOR DOSTOEVSKY
  5. THE AESTHETIC CATEGORY OF THE TRAGIC AND THE COMIC AS THE ESSENTIAL ASPECTS OF CREATIVITY AND PHILOSOPHY OF FYODOR DOSTOYEVSKY
  6. “Seduction by writing”: passage about calligraphy from the Fyodor Dostoyevsky’s novel “The Idiot” in the theoretical frame of grammatology
  7. The Guilt Full Morality: A Study on the Consciousness of the Protagonists of Fyodor Dostoyevsky with Reference to Crime and Punishment
  8. Punishment and Redemption in the Novel Crime and Punishment by Fyodor Dostoyevsky
  9. Application of Audiovisual Media Assistance of Picture and Picture Learning Model to Improve Concept Mastery of Elementary School Students
  10. THE CONCEPT OF CATHARSIS IN FYODOR DOSTOEVSKY'S WORKS: FROM THE NEWSPAPER POLEMICS OF 1873